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Biography[ edit ] Early life: He enrolled at the University of Maryland, College Park as a studio arts major upon graduation, thinking that he might become a commercial artist.
The characters on Sam and Friends were forerunners of the Muppetsand the show included a prototype of Henson's most famous character Kermit the Frog. In the show, Henson began experimenting with techniques that changed how to write a tall tale template way in which puppetry was used on television, including using the frame defined by the camera shot to allow the puppet performer to work from off-camera.
He believed that television puppets needed to have "life and sensitivity"  and began making characters from flexible, fabric-covered foam rubberallowing them to express a wider array of emotions at a time when many puppets were made of carved wood.
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Additionally, he wanted the Muppet characters to "speak" more creatively than was possible for previous puppets, which had random mouth movements, so he used precise mouth movements to match the dialogue.
The show was a financial success, but after graduating from college, he began to have doubts about going into a career performing with puppets. He spent several months in Europewhere he was inspired by European puppet performers who looked on their work as an art form.
They were married in and had five children: This first national television broadcast greatly increased exposure, which led to hundreds of commercial appearances by Henson characters throughout the '60s.
Among the most popular of Henson's commercials was a series for the local Wilkins Coffee company in Washington, DC,  in which his Muppets were able to get away with a greater level of slapstick violence than might have been acceptable with human actors and would later find its way into many acts on The Muppet Show.
In the first Wilkins ad, a Muppet named Wilkins is poised behind a cannon seen in profile. Another Muppet named Wontkins is in front of its barrel. Wilkins asks, "What do you think of Wilkins Coffee? We took a very different approach.
We tried to sell things by making people laugh. Jane quit performing to raise their children. Henson hired writer Jerry Juhl in and puppet performer Frank Oz in to replace her.
The year saw the production of The Cubeanother Henson-produced experimental movie. Also around this time, the first drafts of a live-action experimental movie script were written with Jerry Juhl, which would eventually become Henson's last unproduced full-length screenplay, Tale of Sand.
The script remained in the Henson Company archives until the screenplay was adapted in the graphic novel Jim Henson's Tale of Sand. Sesame Street Intelevision producer Joan Ganz Cooney and her staff at the Children's Television Workshopimpressed by the quality and creativity of the Henson-led team, asked Henson and staff to work full-time on Sesame Streeta visionary children's program for public television.
This union of talents would become legendary in television entertainment. Part of the show was set aside for a series of funny, colorful puppet characters living on the titular street.
Henson performed the characters of Ernie, game-show host Guy Smileyand Kermit, who appeared as a roving television news reporter. Around this time, a frill was added around Kermit's neck to make him more frog-like. The collar was functional, as well; it covered the joint where the Muppet's neck and body met.
At first, Henson's Muppets appeared separately from the realistic segments on the Street, but after a poor test-screening in Philadelphiathe show was revamped to integrate the two, placing much greater emphasis on Henson's work.
Though Henson would often downplay his role in Sesame Street's success, Cooney frequently praised Jim's work, and inthe Public Broadcasting Service called him "the spark that ignited our fledgling broadcast service.
He later remembered, "it was a pleasure to get out of that world". During the first, Henson produced a series of counting films for the numbers 1 through 10, which always ended with a baker voiced by Henson falling down the stairs while carrying the featured number of desserts.
For seasons two to seven, Henson worked on a variety of inserts for the numbers 2 through 12, in a number of different styles, including film "Dollhouse", "Number Three Ball Film"stop-motion "King of Eight", "Queen of Six"cut-out animation "Eleven Cheer"and computer animation "Nobody Counts To 10".
He also directed the original " C Is For Cookie ". Concurrently with the first years of Sesame Street, Henson directed Tales from Muppetland, a short series of TV movie specials, comic retellings of classic fairy tales, aimed at a young audience and hosted by Kermit the Frog.
The series included Hey, Cinderella!
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